The list of his fourth-innings exploits is long and arguably richer. The 154 not out at Edgbaston is Smith’s defining innings, the 108 in Perth not far behind, though it probably shares space with de Villiers’ 106 not out. It shouldn’t, because it was Smith who set the very bullish tone of that chase.The first of them all, in Wellington, was as good as any. Smith’s captaincy was just five Tests old and he’d been absolutely schooled in captaincy by Stephen Fleming all tour. Chris Martin was on fire all Test and South Africa found themselves 36 for 3 in the chase and yet found themselves home.One forgotten innings came in a last-day draw, not long after that match in New Zealand. Smith was down with viral flu on the first day of the Galle Test, but by the final day was batting South Africa through to safety against Chaminda Vaas, Muttiah Muralitharan and AN Others.There’s more, but this doesn’t need spelling out any longer — nobody was more effective than Smith in these situations.ALSO READ: Karthik Krishnaswamy: Why the 2005 Super Series was not really a bad ideaThe use of «effective» is deliberate, because that is how Smith wants it. Effective. Every batsman wishes to be effective, but the very point of this is that not everyone is able to be so. Smith was, which is what makes him great.But effective has another implication for batting, in that it’s a proxy for ugly. Smith wasn’t, by common consent, a pretty batsman — Rob Moody isn’t up all night cutting Graeme Smith videos to brighten our days with — which only feeds into how his batting loses out to his captaincy. Think of it this way. When you remember Brian Lara in Bridgetown, the fact that he was captain is an afterthought to the fact of his batsmanship. When you recall Smith’s 154 not out, the conversation quickly becomes about his leading from the front, or by example, as captain.The thing is that beauty is rarely a deliberate pursuit for batsmen. They grow up playing as they play, products ultimately of nature and nurture. They don’t try to be pretty or crabby, they are what they are. We put the label on them, but labels, we know, are woolly. I’m not going to make a case here that there was beauty in Smith’s play, although I could argue that some of the repertoire — the late dabbed cut, or an impeccably timed push wide of mid-on — was beautiful in a weird, not-quite-right way. Like Adrien Brody or Benedict Cumberbatch.But because nobody goes gaga for his strokeplay, we fall back to his leadership to praise his batting. And in that passes by the great skill and technique; the range of strokes; the occasionally and deceptively loose wrists that kept singles coming; the strength of forearm that kept boundaries coming; the movement of the feet to spin as he expanded his game; the understanding of different conditions and bowlers, to remember that one bowler does this here and that somewhere else — just a few of the very tangible tools that signal to us nothing about captaincy but everything about great batting.Come to Think of it

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